Monday, 10 June 2013

Digitising Embroidery: Exploring the World of 3D Art

Just like any other industry needs to keep evolving to keep pace with customer demands, the digitising embroidery industry has evolved as well to offer 3D artwork as part of its services. At, we like to keep you informed regarding how your designs are brought to life, and so we bring you an insight into what all goes into the making of 3-D embroidery.

3D Foam – Available in varying sizes, 3D foam is required to set the base for the embroidery. According to the indent required, a 2mm, 3mm or 6mm foam is placed before the pattern is embroidered.

Cover Stitch – While digitising embroidery the program is instructed to perform high density satin stitches over the foam area, known as the cover stitches. Herein the satin stitches used are double the regular amount, since the stitch not only has to compensate for the foam underlay, but also is used to cut off the foam.

Tack Stitch – Also known as the basting stitch, tack stitches are temporary stitches used to hold the foam in place. These stitches can have unfinished edges, making them easy to remove.

Tie-off Stitch – Generally 1mm in length, tie-off stitches are used to keep the stitches in their place, even when the thread calls for trimming. These stitches are used to make sure that other stitches, especially satin stitches, do not unravel once the piece is finished.

Ballpoint Needle – These needles are used to execute the 3D digitising embroidery program instead of the regular sharp needles, as they create bigger holes and make it easy to perforate the foam.

Embroidery Digitising in 3D works best on smaller areas, which have a lot of fill spots and involve less intricate details. In our opinion, digitising embroidery for 3D designs works best on caps and jackets, as the 3D foam does not generally hold up well against regular washing; however, it does not mean you cannot put 3D embroidery on t-shirts or other materials.


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